Thursday, July 24, 2008

6 Sick Hipsters - the movie



Ah, yes, it's true.

I've signed the film option contract and if the stars align (and we're able to scoot past development hell - personally I'm hoping for the not-quite-as-toasty-or-stressful development tropics) you will be seeing the lovely cast of 6 Sick Hipsters on the big screen sometime in the next few years.

Wow. What a rush. The guy's who've optioned the book are not only incredibly talented but they have a nice track record of getting things done. As soon as all the ducks are formally lined up, I'll be gushing all the details. Maybe tomorrow? Maybe early next week?

What's that? You want a hint? Hmmmm. How about this?

Saturday, July 12, 2008

Readings galore

Had a great time in PDX this week. Powell's is, of course, amazing - I wandered in on Tuesday and came out dazed and several hundred dollars poorer on Thursday. The reading at Powell's on Hawthorne was fun, thanks to everyone who showed up. Looking forward to swinging by again next spring.

Tonight I'll be at Elliott Bay. The reading starts at 7:30 PM. Hope you can make it. This wraps up the initial leg of readings. I'm eager to bring it all home to NYC but haven't scheduled anything yet.

Re: the film option: contract negotiations are on-going but going very smoothly. Might have a signed contract as soon as next week. When and if that happens I'll make a scene about it here.

Been meaning to put up this interview with Westword. A nice, brief review here. Some PDX press (scroll down). Here's a hater. Ending with some love, I'm looking forward to meeting fellow Kensington-ite (and all around madman), Mark Henry who frightened me with his gushing praise.

Saturday, June 28, 2008

Rupert Hine - The Set Up


From "Waving Not Drowning" (1982). All of Rupert's solo albums are brilliant. This was the second in a triptych - the first was "Immunity" and the third "The Wildest Wish to Fly." His lyrics are amazingly satirical and goofy good.

Thursday, June 26, 2008

Gary Numan collaborations

Love me some Gary Numan. Outside of the 400 odd songs that Numan has written/performed over the past thirty years, he's been a frequent collaborator with various friends and fellow musicians. Here are a few highlights:


Sharpe and Numan "Change Your Mind" 1985
(Bill Sharpe was in Shakatak, on Numan's Numa label)


Gary Numan vs. Rico "Crazier" 2003
(Numan meets nu-metal, this is a remixed version from Rico's "Violent Silences")


Gary Numan and Dramatis "Love Needs No Disguise" 1982
(Dramatis was Gary's backing band, they released one album "For Future Reference")


Gary Numan vs. Ade Fenton "The Leather Sea" 2007
(Not sure why it always has to be "vs" rather than "with" or "starring")

Q&A and exciting news

You can find a Q&A from Westword (Denver's Village Voice) here as well as a brief review/mention of tomorrow night's reading here. If you're in town and out to get a hard copy, it's on page 28. Looking forward to seeing you at the reading.

I've added another reading in July. I'll be at Elliott Bay Book Co. in Seattle on July 12th at 7:30 PM. Fun stuff. Still working on some east coast dates and will let you know when, where, and if.

I hope to have a major announcement in the next few weeks regarding the 6 Sick Hipsters film option. The contract is in my hands and my agent and I are going over it. So far everything looks great but there will undoubtedly be some back and forth over details. As soon as it's signed and sealed, I'll let you in on the juicy details.

Sunday, June 15, 2008

Next novel?

Here's a hint:


Listening to: Crystal Castles - Magic Spells

Friday, May 23, 2008

Ladytron - Velocifero



Velocifero is brilliant. The album has "Witching Hours'" combination of dusty electro and industrial glam but it's a bit catchier - I would say pop but that would only apply if we're talking about pop radio in a nightland universe of Soviet-era housing blocks and neon highways. Best listened to in a black leather chair atop a burning building.


Ghosts is a real stand out with a "Personal Jesus" styled stomp and video.

Download it at iTunes.

Tuesday, May 20, 2008

Ladies and Gentlemen The Fabulous Stains

Click here for a link to a great "making of" short doc on this under-appreciated, never really released Punk Rock flick from the early '80s. I remember stumbling across parts of this on cable in the mid-80s and then seeing bootleg copies of it floating around record shops in the east village. It'll be released on DVD by Rhino in Sept. Yup, Diane Lane and Laura Dern are in it.


At the mall. Do you want to be a professional? Yeah, those are the Sex Pistols and, yes, that's Diane Lane and Laura Dern.

Thursday, May 15, 2008

The B.I.D.E. Files



A.k.a. Cool psychedelic comix.

Borders ad


Soft focus, very nice.

Jodorowsky update

Jodorowsky teams with David Lynch's production company for King Shot. The mind boggles.

Tuesday, May 06, 2008

Mystery Scene Magazine review


"That's right: there's social commentary in them thar pages!"

Las Vegas Review-Journal review


Ahh, Vegas.

Monday, April 28, 2008

Borders reading - 5/30/08 Colorado



May 30th - 8:00 PM
Borders
Park Meadows
Centennial, Colorado
Grand opening celebration and I'll be reading w/ The Swayback.

Friday, April 18, 2008

Sunday, April 13, 2008

Powell's Reading



So, I'll be reading from 6 Sick Hipsters and doing a bit of Q & A at Powell's Books on Hawthorne on July 10th. Hope those of you in the area can make it out for the festivities!

Here are the details:
Rayo Casablanca - 6 Sick Hipsters
Powell's Books on Hawthorne
July 10th, 2008 at 7:30
3723 SE Hawthorne Blvd.
Portland, Oregon

Tuesday, April 08, 2008

Saturday, March 29, 2008

6 Sick Hipsters - Out and about


Tattered Cover - Denver (Colfax store)


Borders - 104th and I-25


Barnes & Noble - Highlands Ranch

Tuesday, March 25, 2008

6 Sick Hipsters - Available*



* If you peruse your local book seller today you just might come across a copy of 6 Sick Hipsters. While the official street date is next Tuesday, today is the publication date. Many, many thanks to those of you who've already bought the book. Hope you dig it.

Saturday, March 22, 2008

Alex Prager



From 2007's Polyester.

Wednesday, March 19, 2008

Mystery of Chimney Rock



Sean Michael Ragan graphically plots out Edward Packard's 1979 Choose Your Own Adventure book "Mystery of Chimney Rock."

Evangelicals - Midnight Vignette


MIDNIGHT VIGNETTE from leachmo1 on Vimeo.

Sunday, March 16, 2008

Dogmatika review



Caleb Ross gave 6 Sick Hipsters a great review at Dogmatika. Caleb is a first rate novelist you'll undoubtedly be reading soon.

Friday, March 14, 2008

Dante 01 - Marc Caro



Marc Caro is a real fav. He teamed with Jeunet for their first few shorts (Bunker of Final Gunshots (worth finding, amazing) and feature films (Delicatessen, City of Lost Children). Jeunet struck out on his own with Alien: Resurrection but Caro was mum (a short or two) until now.

Dante 01 looks intriguing, has that unmistakable "feel" of a Caro film and the plastic face of Dominique Pinon. Rumor has it, however, that the movie is a bit of a mess and has been all but dumped by the distributor. Who knows, Variety gave a good review.

Also: Caro's videos for Indochine's (France's Cure) "Les Tzars" (87) and "Savoure le Rouge" (93). Note: the pre-Alien: Resurrection look of the "Savoure..." vid.



Tuesday, March 11, 2008

Gary Numan - I'm an Agent


From the 2006 Telekon Tour DVD.

Monday, March 10, 2008

Romantic Times



From the April '08 issue. Many thanks to Liz.

And here is the review from the same issue. (The summary is the best I've read yet):

Thriller
6 Sick Hipsters
Rayo Casablanca
***

Casablanca refashions the serial killer mystery amid a strange amalgam of slacker/hipster nightclubbers. The wacked-out violence and grotesquely flawed characters aren’t for everyone, but the mystery works even if the motive is convoluted and hard to parse. At the very least, Casablanca is a unique flavor on the mystery scene.

Summary: After the grisly murders of three high-profile hipsters in Brooklyn, a loosely connected group of friends deduce that a serial killer is targeting them for extinction. Armed with not much more than their wits and plenty of attitude, Harrison, a paleontologist who secretly writes scientific porn, and Beth, a subversive knitter whose eyesight is fading, lead the charge to track down the monstrous Doctor Jeep, who seems to be killing urban techno youths. A vicious war begins, and a bizarre counterculture movement appears to be at the heart of a deadly mission to counteract rampant consumerism. (KENSINGTON, Apr., 288 pp., $15.00)

Tara Gelsomino

Friday, March 07, 2008

John Foxx kick


Underpass


He's a Liquid


No One Driving


20th Century

Thursday, February 21, 2008

Happy Hour of the Damned

Mark Henry and I share an editor at Kensington and while I've never read any "urban fantasy," Henry's debut Happy Hour of the Damned just seemed too intriguing to pass up. (Lucky bastard has a deal with Showtime and part of me wanted to know just what the fuss was about.)

Amanda Feral (no symbolism there) is a recent revenant (zombi(e), undead, ghoul, etc.) trying to make it in Seattle's crazy undead scene. Amanda parties, dresses like she's going to a Sex in the City wake and chows down on human viscera. But life isn't all fun and grisly games, there's a evil(er) force at work -- something epic, diabolical -- that has everyone in undead Seattle freaked. I should mention that we're not just talking zombies here. Succubus? Yeah. Werewolf? Why not? Vampire? Of course.

There is no line Henry is unafraid to cross. The man leaps around like Spring Heeled Jack -- when you think he's outdone himself, turn the page you'll be stunned with what he comes up with next. He also packs the novel to the brim with all manner of assorted information, ephemera, jetsam, etc. There are footnotes, quotes from fictional books, drink recipes, DJ set lists -- the style is an intriguing mash-up of semantic game and fashionista manifesto. I love that Henry let's his freak flag fly.

In the end, the plot comes together a bit haphazardly but it actually fits with Henry's convulsive style. Amanda was a bit too bitchy for my tastes, perhaps all supernatural vixens in urban fantasy are snarky to the hilt? But that wasn't the appeal for me in the first place. I was there for the monster melees and Henry certainly delivers in spades. He also crafts a funky and downright atmospheric undead Seattle that’s quite grounded and (despite the apparitional subject matter) gritty.

Clever, bloody, funny, Happy Hour of the Damned is a whip-crack ride into a sexy underworld. This will appeal to a lot of people and I can see why Showtime snapped it up.

Saturday, February 09, 2008

Geek Monthly



Sweet. 94/100. Many thanks to Jeff and Blair.

Arcade Attack



Pinball warriors vs. Space Invaders. From 1982, this played on HBO's Short Takes between films. It is the ending segment of a 25 min British doc on video games by Mike Wallington. The doc revolves around two game champs - Geoff Harvey (pinball) and Stephen Highfield (Space Invaders). They argue and at the end it comes to life in animation. Great synthy arcade music.

Here is a longer version with more of the documentary bits:

Monday, February 04, 2008

Thursday, January 24, 2008

Detroit Public Schools Book Depository



Sweet Juniper has a photo gallery of shots taken at the Detroit Public Schools Book Depository. The waste captured here is uncanny but the images are stunning. I'm particularly taken by the one of mushrooms growing from the rotting pages.

Wednesday, January 23, 2008

Twilight Ritual - Elegy


More Belgians, in fact an A Split-Second "side project", but Twilight Ritual (Peter Bonne and Geert Coppens) was (and to some extent still is) an interesting cross between ambient and synth with none of the cliche trappings of either. Haunting, beautiful. This is from the 1985 album "Rituals."

A Split-Second - Mambo Witch, 1988 Hair



Not only is the quality of this up-loaded video for Belgian EBM act A Split-Second's 1988 "hit" "Mambo Witch" atrocious but it really solidifies my initial sense that these guys were truly the butt-rockers of the industrial dance scene. Regardless, around 1:22 min into the video you get a nice shot of the guitarist (is that you Fedjean Venvelt?) and his hair.


This is exactly how I wanted my hair to look in 1988. Exactly. Sadly, Aqua Net just didn't hold up and my hair was too wavy.

Wednesday, January 16, 2008

Depraved Press - Review, interview

Alex Martin, a nice bloke who frequents the Cult, gave 6 Sick Hipsters a generous review at Depraved Press. We also did a short interview. You can read the contents of both below:

"They stalk on spiderlike legs wearing jeans tighter than condoms. As they are the scourge of Starbucks baristas, so also 6 Sick Hipsters are the bones of this novel, but don't for a minute assume they're the flesh of it. Rayo Casablanca's debut is as dark as it is hilarious, as encapsulating as it is clever.

He leads us by the hand so charmingly through places so noir their bars sell bourbon on tap and all you can do is smile and follow. From Paleontological pornography to a gangster with the best character name in fiction, 6 Sick Hipsters leaves no stone unturned and when you're not laughing out loud you're silently nodding with a half-shameful envy.

I first heard of Rayo Casablanca over at The Cult. There had been a competition for a fictional oral-biography style passage about Chuck Palahniuk there, and there Rayo's sexually charged winning entry provoked much mirth and not a small dash of jealousy from many. In 500 words his style shines through, and his humor is blatant.

But what isn't readily apparent is the depth of Rayo's pop-culture trivia, and even beyond that, the level of literacy in the novel itself. From Thomas Pynchon to The Sisters of Mercy, 6 Sick Hipsters swells with allusions, which are very, very fun. But ultimately the novel's charm comes from Rayo's beautiful juxtaposition of iniquitous comedy, sly satire and subcultural range, and by fuck does he do it well. All in all a very impressive debut."


- Alex Martin (12/07)

A brief discussion with Rayo Casablanca:

Martin: Starting at basics, every writer seems to have their own method when it comes to spinning a yarn. Will Christopher Baer binges, Craig Clevenger goes through drafts like a hot knife through a small lovable creature. What about you?

Rayo Casablanca: I usually start with a title and then write from there. I suppose I would categorize myself as a drafter a la Clevenger. I typically spin off a hundred pages of extraneous material before settling into a single work. On a good day, I'll have four or five drafts going at the same time. You know, one 1st person, one 3rd person, one from the perspective of the syphilitic killer, one from the perspective of the dowdy doorman. Most don't get past the forty-page mark. Some are just sketches really. In the end, those weaker versions wind up cannibalized or discarded.

6 Sick Hipsters was inspired (largely) by women's undergarments. Seriously. There are these cotton-stretch low-slung panties called hipsters. The ones I saw came in packs of 6. Viola! 6 hipsters. I added the sick because that just made it all the more entertaining. As soon as I had the title the rest just came whirling out.

Martin: You work under the umbrella of healthcare, and it's no secret that the most ill-fated of perverse actions come to light under that very same brolly - if you'll excuse the phrase. How much of the book was informed by real-life (I'm specifically hoping for an anecdote about a wild baboon)?

Rayo Casablanca: Almost all. The character of Radij - the physician with the hankering for obscure new wave/minimal synth and a bad habit of cutting himself - was inspired by a number of people I know. The stories he tells are all based on actual incidents. Truth is always, without question, stranger than fiction. Spend a few minutes in an ER and you'll see things you just couldn't make up.

While I've cleaned glass out of eyeballs and broken ribs doing chest compressions, I've never encountered victims of wild baboon attacks. That little episode was based on images I've seen about the Gadawan Kura ("hyena guides") of Nigeria. These men have adult baboons and hyenas on chains. Most of them are traveling entertainers, do street shows in the dusty markets of Lagos, though I've read totally unsubstantiated rumors of the animals being used for stick-ups and worse. The mind boggles.

Martin: Is there a book tour planned?

Rayo Casablanca: Yeah. I don't know if I'd call it planned. I'll be in NYC, Denver. Possibly D.C., Boston, Chicago, Seattle and Portland.

Martin: Obviously 6 Sick Hipsters is full of literary and musical allusions, from Pynchon through The Sisters of Mercy to Voltron. Are all of the details facts, any artistic license used, and did you just know this stuff or was there a whole lot of research involved behind it?

Rayo Casablanca: Most of it is true. Some of it I made up. Sad as it is to say, the vast majority of it is gleaned from inane trivia I've lined by brain with. I threw a bunch of in-jokes in there for the equally geeky.

Martin: And finally, when can we expect the next?

Rayo Casablanca: Next spring, in fact. Turning in a first draft next month. The run down: a socialite (less Paris Hilton than Edie Sedgwick) vs. terrorists (schizo and led by their therapist) vs. art school students. Throw in a good number of twists, a nihilist hit man, meth-addled dirties and the ghost of Serge Gainsbourg and you've got it. (12/07)

Friday, January 11, 2008

Williamsburg Courier interview



Here.
Thanks to Greg Hanlon/Courier Life

Wednesday, January 09, 2008

Glowing in the Dark: Minimal Synth MP3 Series #1 -Cinema 90 repost



As requested, here is a repost of Cinema 90's "In Ultra-Violet" - I should have another minimal synth post in the next day or two. Here is the 7" version.

Cinema 90 (a.k.a. Colin MacDonnel, keyboardist for the Seattle post-punk band 3 Swimmers) had one song on this compliation (Seattle Syndrome 2) released by Engram in 1983, "In Ultra-Violet." It's a haunting synth piece with a driving bass line. While there are some similarities structurally to Frank Tovey's early work (RIP), "In Ultra-Violet" is more melodic and less obscure lyrically. Excellent stuff all around and a very nice rip as well.

Tuesday, January 08, 2008

Life After Death - Isn't It Time


Incredible video from the vaults. Early 80s L.A. synth/electro punk band, Life After Death. From the Video 22 show.

Monday, January 07, 2008

Downtown 81


The film was never finished and Basquiat died in 1988. In 1999 the film was resurrected and released. The audio had been lost so actor Saul Williams dubbed Basquiat's lines. Tons of 80s village hipsters: James Chance, Amos Poe, Tav Falco, etc.
Soundtrack: Kid Creole and the Coconuts, James White and the Blacks, DNA, Tuxedo Moon, the Plastics, Walter Steding and the Dragon People, Melle Mel, John Lurie, Lydia Lunch, Suicide, Vincent Gallo, Kenny Burrell and Gray

Friday, December 28, 2007

Terminus


From Trevor Cawood. Montreal's Spyfilms.

Saturday, December 22, 2007

Glass Candy - Digital Versicolor

Now for something a bit more recent. From New Jersey.


Honkey grandma indeed.

Feeling early industrial, French tonight. . .

As opposed to?


Buzz - Kennedy. French. From a 12" w/ "Picasso" and "Kennedy".


Futurisk - Army Now. 1982. Florida. Not French.


Orchestre Rouge - Soon Come Violence. 1982. (More like post-punk.) See: Passion Fodder.


Honeymoon Killers - Historie a Suivre. Amazing live footage. 1983.


Starter - Minijupe. Swiss, of course. Look at those moves.


End of Data - Sahrah. French. 1983. From Rennes.


Hard Corps - Dirty. Live, 1986.

Friday, December 14, 2007

Thursday, December 13, 2007

Angel Mine


People who have read 6 Sick Hipsters often ask what "trivia" I made up and which is real. This is something the Annotated 6 Sick Hipsters website will address but here's an example: The whole "Angel Mine" section - banter between Swank (an artist who meets an ill end) and his pal - is based on a very real but really obscure film. Here is some info:

“Angel Mine (which came with the warning: ‘This film contains punk cult material!’) signalled in celluloid the arrival of punk and met with the kind of controversy you’d expect and more. ‘Angel Mine came out of nowhere and caught a lot of people by surprise,’ says Blyth. ‘Twenty years down the track I don’t know whether it’s so controversial. I’ve gone on and become far more middle of the road in terms of my film-making. … Blyth was coming to the end of his time at Auckland University where he had become influenced by European cinema rather than Hollywood as well as the values that went along with the music friends in a band were espousing. ‘We all came from the garage band. I was a garage film-maker. I used an old red Bolex and like the musicians didn’t have any formal education. They just got instruments and started making noises and I got a camera and started pointing it around the room. I thought ‘why wait to get experience?’ Everything was fermenting at the same time. The very first punk concert at Auckland University was raising money for Angel Mine. The thing about the film is that it was shot for $13,000 or $14,000, which meant I didn’t have to go to any of the authorities and have my script fettered. It was an attack on the great suburban dream of New Zealand, the whole focus on ‘get a job, get a house and a mortgage’, a whole philosophy which I guess punk was about questioning. … Despite the low budget and the controversy that followed the film’s release, many critics today, as then, have hailed Angel Mine as a superb piece of film-making.” (Mark Amery, Sunday Star-Times, 12 February 1995)

"There are no bohemians in Angel Mine. The couple, played by Derek Ward and Jennifer Redford, are confirmed city dwellers. In their sterile brand-new Lockwood show-home, isolated in the middle of a Pakuranga subdivision, haven for the nouveau riche, they try desperately to conform to the image of the ideal young couple in the commercials. They are surrounded by the material trappings that the slick advertisements insist are requisites for happiness: yet real happiness eludes them. The phantom doubles or Doppelgangers, dressed in shiny black vinyl suits, represent the physical, sensual, animalistic aspects of the couples' personalities, so effectively subliminated by the mass media." (Diana Ward/Art New Zealand, 1978)

"No locally made film has caused more hullabaloo since the advent of the State-sponsored NZ Film Commission than David Blyth's Angel Mine which premiered in Auckland in November and has since moved to other of the country's main cites. It has been the cause of renewed urgings to the Minister of Internal Affairs Alan Highet to tighten censorship law, and to the Government in general to carefully watch how the taxpayers money is being spent in the new surge towards a developed local film industry. Porn watchdog Patricia Bartlett, in particular, has been assiduous in penning letters to Government leaders and newspapers about what she sees as the degrading content of the film and the use of public money for such enterprises. In fact, Angel Mine, which has been made on a minuscule budget of about $30,000 and blown into 35mm from original 16mm footage, is much more than all the "put down" ballyhoo suggests... What it does is make a particularly strong statement about urban materialism and the corrosive nature of visual advertising in the context of the relationship - sexual and otherwise - of a suburban couple..."- (Mike Nicolaidi, Variety, January 10,1979)

Tuesday, December 11, 2007

The Annotated 6 Sick Hipsters

Coming soon. It'll be a website, open to additions. Page by page references, etc. Should have it up by April. Have any thoughts, or want to lend a helping hand, let me know.

Williamsburg Courier

Did an interview last night with the Williamsburg Courier. Nice chat, though I may have rambled a bit. (How is it that I mentioned the Lost & Found Times?)Not sure when it will hit newsstands.

Sunday, December 09, 2007

Banner


Many, many thanks to Alex Martin for this. Spread the love.

Saturday, December 08, 2007

Monaco - What Do You Want From Me?


Peter Hook (New Order) and David Potts, post Revenge. 1997.

Thursday, December 06, 2007

Metro NY


Metro NY interview. If you're in the city, pick up a copy.

Title Sequences


Always been a huge fan of title sequences. In 5th gade, my teacher brought in a 16mm reel of Saul Bass credits and I was hooked. This is a nice compliation. Some of these are quite obscure (Dorian Gray) and many I would not have normally considered (Death Machines - love it). Below are some of my favs:


Vertigo


Delicatessen


The Good, The Bad and The Ugly


The Mysterious Cities of Gold (Seriously, how can you resist that song?)

6 Sick Hipsters - Trailer 2

Second trailer for the book. Muchas gracias to PureShot for this. Genius.

Tuesday, December 04, 2007

Monday, December 03, 2007

Thursday, November 29, 2007

Wednesday, November 28, 2007

Wednesday, November 21, 2007

6 Sick Hipster ARCs

Hanukkah in November.




Samurai Cop

Priceless.

"No way, his lips are burned."

Monday, November 12, 2007

Shriekback - Glory Bumps

Shriekback's eleventh studio album, Glory Bumps, is both a continuation of lead singer/songwriter Barry Andrews' long-running neo-primitive sound as well as a throw-back to the Shriek's earlier, edgier rock scuttles. Eschewing the programmed percussion that flattened the sound of Shriekback's last album, the brilliant but flawed Cormorant, Glory Bumps is something of a return to form. I say "something" because for Andrews there is hardly a form. Sure, it's not difficult recognizing a Shriekback song -- the funky bass slithers, the turtle-shell percussion, the synth noodlings and doomy washes and Andrew's grave whisper -- but musically Glory Bumps harkens back to the earliest stirrings of the band when they were more experimental forces than proper recording artists. While Andrew's songwriting remains consistent with his later output, this new album shines a light into the deep waters of what most fans may have considered thoroughly explored territory.

The album opens with the anthem, "Hooray for Everything". It's all loud rolling drums and crawling synth revs and it's somewhat similar to Snog's equally satiric "Hooray!!" "The Bride Stripped Bare" is a fierce monster of snarls and quietly disturbing piano interludes that fades out into a grimy little riff. Glory Bump's first real standout track is the impressionistic funeral dirge on acid, "Burying the Bunny." It's New Orleans via Midian and is highlighted by wolf howls and skeletal keys. Andrew's turns up the ghastly humor in lines like "this benediction isn't something I desire/it was a while ago before I felt so sunny/it's all ridiculous to that I am resigned/and that intensity is very, very funny." A real treat. "Bittersweet" is, as the title implies, a quieter affair and it's as close to anything from Big Night Music that the band has come in the past decade. Choice lines include: "raking through some existential drivel/it was grudgingly sublime, perhaps a waste of time." Glory Bumps finest song is the achingly beautiful "Amaryllis in the Sprawl." Like Oil and Gold's "This Big Hush" or Big Night Music's "Underwater Boys," "Amaryllis in the Sprawl" is a languid meditation (Martyn Baker's percussion is just dead on and the didgeridoo is exquisite) with a soul elevating chorus that is begging for some cinematic use. Best listened to driving at night, it's a Shriekback masterpiece. "Mahalia" is a companion piece to Big Night Music's "Running of the Rocks," all barren but beautiful tumbling chorus and driving, jazzy rhythm. This wouldn't be out of place in a spaghetti western. ("It's a deeply satisfying sound/Mahalia.") The title track, "Glory Bumps", is something of an oddity, a one-off. A snide attack on evangelical thumping, it's loud and aggressive and over-the-top. While the lyrics and clever and cutting, the stagy music is just a bit too shapeless to really deliver the goods. Like Cormorant's "Bonehead", "Squanderer" is a funky cutter. Andrew's falls back on his lyrical listing (a trope from the very beginnings of the band) and some of it is quite silly ("I wanna get a lick of the exorcist stick" Note: Barry clarifies that it's actually "ecstasy stick") but the harmonica infused chorus is undeniably catchy. "Devil's Onions" continues the dusty jams and sounds surprisingly like something from late-90s The The. Great key work and some really nice horns over the "golden age" chorus. The album wraps the instrumental "Yarg 7", similar to Cormorant's burbling "Huytfi Dbl Plus" but without the beats.

All in all amazing.

Buy the album at Malicious Damage Records (see link). There is a limited edition Advent calendar/double vinyl release of Glory Bumps with three additional tracks. Here is more info: "...beautifully packaged in a rapture-ready endtime advent calendar, complete with little windows that open revealing all your little symbols of approaching end-of-the-worldness... the vinyl is packaged in a pure white sleeve and can be stored separately while the calendar can be hung on the wall to impress the vicar when he comes round for tea... there'll also be a numbered personalised certificate of authentication signed by the reverend andrews and a malicious damage representative, plus a few other bits and bobs..." Only 100 made so get it while you can.

Tuesday, November 06, 2007

New Musik

"One of those massive Euro hits sung by a bloke who doesn't seem to want to be here..."
Ah, stuido rat bands get no love. Chief among them is New Musik, Tony Mansfield's prescient electro-pop band. Despite the slick and airy sonic touch the lyrics were all dour and apocalyptic. This stuff drives a lot of people crazy but that ultra-modern gloss makes me feel clean. This is bleach for your ears.


Straight Lines (1979)- watch for shots of the bored teeny boppers looking at everything other than the band.


World of Water (1980)


Living by Numbers (1979)

Wednesday, October 24, 2007

Tuesday, October 09, 2007

Cinebomb #7: The Shout


How fitting that David Cronenberg cast Polish filmmaker Jerzy Skolimoski as Naomi Watt's irascible uncle in Eastern Promises. While Skolimoski is a good character actor, I suspect the casting had more to do with Cronenberg's affinity for Skolimoski's films than his burly personality.

Skolimoski has directed over twenty films, the majority Polish language. Most western film audiences were introduced to his work via the startling Deep End (1971). But his lone horror outing, The Shout (1978), has deservedly become something of a cult favorite. Why? It's oblique, dreamlike and frustratingly formless. In other words, a perfect cinebomb.

The late Sir Alan Bates (Women in Love) stars as the enigmatic Crossley, a traveler who slips in between John Hurt and Susannah York. Using aboriginal magic he learned during an 18-year drift in the Australian outback, Crossley beds York and drives Hurt nuts. All of this smarmy intrigue is offset by Skolimoski's outlandish (and many times absurdist) touches. (Crossley talks of how aboriginal witch doctors can bring down rain by cutting a flap of skin around their waists and pulling it up. We see just such a scar on Crossley.) The film's titular trick - a shout that can literally kill - is surely one of the creepier, if understated, devices in film history. Seeing Crossley blast down a herd of sheep is truly mind-boggling. Like The Wicker Man, The Shout is a great example of '70s experimentalism running headlong into metaphysical (and "native") horror.

Now, if you could only find a decent copy in the states.

Sunday, October 07, 2007

Monday, October 01, 2007

The Gable Film

Just in time for Halloween. Found(?)8mm film. Creepy as all get out. Hmmmm. Catch this while you can.

Wednesday, September 26, 2007

Jason Starr's blurb

"6 Sick Hipsters is a wild, poignant, twisted, bitterly funny page turner with dead-on dialogue and a wonderful ensemble cast. Rayo Casablanca has written the big novel the hipster generation has been waiting for. "

This comes from Jason Starr, NYT bestselling author of eclectic noir like The Follower, Lights Out, Slide and Bust. Awesome.

Tuesday, September 11, 2007

Monday, September 10, 2007

Wednesday, September 05, 2007

Bigfoot (1970)

Bigfoot families, bellbottoms and buxom blondes.

Rouge's Malady


Monitorpop, Crippled Dick Hot Wax's DVD arm, has released David Cronenberg's early shorts "Stereo" and "Crimes of the Future." If you haven't seen any of Cronenberg's early stuff, this is a nice place to start. Used to be that David was obsessed with "body horror." His early films, like "Crimes of the Future" and "Shivers," meet at the freaky intersection of medical science and revulsion.

Here's his 1967 short "From the Drain." Sketchy transfer but try and watch for the tendril:


2 EARLY FILMS BY THE MASTER OF BODY HORROR: DAVID CRONENBERG

Stereo – In a scientific institute, a group of carefully selected subjects is submitted to experimental surgery, various drugs and longterm isolation in order to increase their potential for telepathic communication.

Crimes of the Future - Millions have died from Rouge’s Malady – a disease caused by cosmetics and discovered by mad dermatologist Antoine Rouge who has subsequently dissapeared. In his clinic, patients’ bodies start producing mysterious, functionless new organs…

Supplied by Industrial indeed


In Gary's autobiography (I had to shell out 40 pounds for that bad boy, but it frequently goes for $150) he says that right around "Warriors" he started getting hair plugs done. Yea, you read that right. And no, he's not ashamed. Every night of the Warriors tour he had to bleach his "new" hair and it almost wrecked his head. Ah, but you can't have the Mad Max look without a blonde mullet. Right? Cheers and rock on, Gary.